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Piano

8 Most Beautiful Classical Piano Songs Ever Composed

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8 Most Beautiful Classical Piano Songs Ever Composed

Piano music has an unparalleled ability to move and inspire. 

Its intricate melodies and rich harmonies have captivated audiences for centuries and continue to do so today. 

From the melancholic to the romantic, from the dreamy to the virtuosic, classical piano music offers a wide range of emotions and moods that have stood the test of time. 

This post will present the 8 most beautiful classical piano songs ever composed. These pieces are timeless and have been cherished by audiences for generations.

Whether you’re a seasoned pianist or simply an admirer of the beauty of music, this list will inspire you with some of the most remarkable and enchanting pieces in the classical piano repertoire. 

So sit back, relax, and enjoy this musical journey through some of the most beautiful piano pieces ever written!

This post may contain affiliate links. As affiliates of the Amazon associate program, Modacity, Dr. Josh Wright ProPractice, Musicnotes, Playground Sessions, and Piano Marvel, I may receive a commission at no extra cost if you purchase through a link. Please see my full disclosure for further information and privacy policy. I take no credit for the images appearing on this page. Certain photos are courtesy of Canva.

1. Moonlight Sonata by Ludwig van Beethoven

The first movement of Beethoven’s Moonlight Sonata, also known as Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, is a uniquely beautiful piece that has captivated audiences for centuries. 

There are several reasons why this movement stands out as an exceptional example of exquisite classical piano music.

Firstly, the piece has a distinct and recognizable melody that is hauntingly beautiful. 

The melody is melancholic and introspective, with an ebb and flow of emotion that evokes a sense of longing and reflection. 

Beethoven intended for the piece to be played with great emotional depth and intensity, and he uses dynamic phrasing, including crescendos and diminuendos, to create a sense of tension and release. 

The use of expression marks such as dolce (sweetly) and espressivo (with expression) also add to the emotional depth and beauty of the piece.

If you’re looking for an easily recognizable piece to help you develop expressive playing, this is the piece to try. And although there are tricky passages, this piece can be tackled by late beginner and early intermediate players.

The second movement of the Sonata is also attainable for late beginners or early intermediate pianists; however, the third movement is technically demanding and should be reserved for advanced pianists.

2. Clair de Lune by Claude Debussy

Clair de Lune is known for its dreamy and ethereal sound, creating a serene and otherworldly atmosphere. 

Several musical elements contribute to the tonal texture uniquely characteristic of this piece.

Firstly, the tempo and dynamics give the piece a sense of tranquility and relaxation. The use of rubato, where the performer takes some liberties with the tempo, also adds to the dreamy quality of the piece.

Secondly, the use of harmony and tonality in Clair de Lune creates a sense of suspension and fluidity. 

Thirdly, the piece has a delicate and intricate texture, where the interplay between the two hands creates a sense of depth and complexity, adding to the dream-like quality of the piece.

Overall, the dreamy and ethereal sound of Clair de Lune is created through tempo, non-traditional harmony and tonality, delicate and intricate texture, and dynamics and articulation. 

The piece creates a sense of tranquility and transports the listener to a magical and mysterious moonlit world.

Clair de Lune has much to offer the intermediate pianist and is a fun piece to master!

3. Nocturne in C-Minor by Frédéric Chopin 

The Nocturne in C Minor, Op. 48, No. 1, by Frederic Chopin, is a stunningly beautiful piece that exemplifies the composer’s mastery of the piano and his ability to evoke a range of emotions through his music. 

Several elements contribute to the beauty of this piece.

Firstly, the melody of the Nocturne in C Minor is hauntingly beautiful and emotionally charged. 

The opening bars feature a mournful and expressive melody developed throughout the piece. The melody is characterized by long, sweeping phrases and expressive ornamentation, which add to its beauty and emotional impact.

Secondly, the harmonic structure of the Nocturne in C Minor is complex and richly expressive. The harmonic structure contributes to the piece’s fluidity and seamless transitions between sections.

Thirdly, the texture of the Nocturne in C Minor is delicate, intricate and changes slightly as the piece progresses. The left-hand accompaniment starts out relatively simple at the beginning of the piece. It transitions to an almost hymn-like texture by page two. 

The hymn-like serenity is contrasted by chromatic octaves followed by a return of the original melodic line in the right hand, this time accompanied by triplet rhythms in the left hand.

Finally, the expressive use of dynamics and articulation in the Nocturne in C Minor is another element that contributes to its stunning beauty. Chopin’s markings for dynamics create a sense of depth and contrast that adds to the piece’s emotional impact.

The Nocturne in C-Minor is a particular favorite of mine and is currently on my practice list! Given the technical and rhythmic challenges, this stunning piece of classical music is best suited for the late intermediate to early advanced piano player.

4. Nocturne in E-Flat Major by Frédéric Chopin

The Nocturne in E-flat Major, Op. 9, No. 2, by Frédéric Chopin, is a beautiful and accessible piece that holds a special place in the repertoire for intermediate pianists. 

There are several reasons why this Nocturne is considered both stunningly beautiful and approachable for pianists at an intermediate level.

Firstly, the melody of the Nocturne in E-flat Major is undeniably enchanting and captivating. Its lyrical and expressive nature characterizes it, evoking a sense of tenderness and elegance. 

The melody flows gracefully and is supported by a delicate accompaniment, creating a sense of richness and depth.

Secondly, the technical demands of the piece are well-suited for intermediate pianists. While there are moments that require skillful finger coordination and control, the Nocturne does not push the boundaries of virtuosic technique as some of Chopin’s more challenging works do. 

This accessibility allows intermediate pianists to focus on expressive interpretation and musicality rather than struggling with extreme technical difficulties.

Additionally, the Nocturne in E-flat Major provides an excellent opportunity for pianists to develop their sense of phrasing and musical expression. 

Chopin’s use of dynamics, rubato, and subtle tempo fluctuations allows personal interpretation and expression. Intermediate pianists can explore these nuances and develop their own artistic voice while capturing the inherent beauty of the piece.

Lastly, the Nocturne in E-flat Major is a beloved and frequently performed piece, which means ample resources are available for intermediate pianists to study and learn from. Sheet music, tutorials, and recordings are readily accessible, providing helpful guidance and inspiration along the learning journey.

Overall, the Nocturne in E-flat Major by Frédéric Chopin is beautiful and accessible for intermediate pianists. 

Its enchanting melody, moderate technical demands, opportunities for expressive interpretation, clear structure, and abundance of available resources make it an ideal choice for those looking to explore and perform a captivating piece while continuing to develop their musical skills.

5. Elegie in E-flat Minor by Sergei Rachmaninoff

The Elegie in E-flat Minor by Sergei Rachmaninoff is a gorgeous piece that could easily top this list as the most beautiful composition of all time. 

And I love this piano solo so much that I performed it for my senior recital and continue to pick it up every so often.

Although it’s not one of Rachmaninoff’s best-known piano pieces, it possesses several qualities contributing to its enduring appeal.

First and foremost, the Elegie showcases Rachmaninoff’s remarkable gift for melody. The piece unfolds with a hauntingly beautiful and emotionally charged melody that immediately captivates the listener. 

The melody is richly expressive, brimming with poignant and introspective qualities that evoke a profound sense of longing and melancholy.

In addition to its enchanting melody, the Elegie demonstrates Rachmaninoff’s command of harmonic language. Rachmaninoff’s use of rich and complex harmonies creates a sense of depth and emotional intensity. 

The harmonies move seamlessly, often taking unexpected turns that heighten the piece’s emotional impact. This harmonic richness contributes to the captivating beauty of the composition.

Furthermore, the Elegie showcases Rachmaninoff’s exceptional pianistic writing. The piece encompasses various pianistic techniques, including intricate passages, cascading arpeggios, and lush chords. 

Rachmaninoff’s mastery of the instrument is evident as he explores the piano’s expressive capabilities, allowing for an expansive and nuanced interpretation. The pianist can delve into the depths of dynamics, touch, and phrasing to fully convey the beauty and emotion embedded within the piece.

Lastly, the Elegie possesses a timeless quality that continues to resonate with audiences today. Its profound and evocative nature transcends the boundaries of time and cultural contexts, touching the hearts of listeners across generations. 

The ability of the piece to elicit a deep emotional response and transport the listener to a world of introspection and beauty is a testament to its enduring power and status as one of the most beautiful piano pieces ever composed.

Its ability to evoke a profound and lasting impact on listeners solidifies its place among the most revered and cherished compositions in the piano repertoire.

In terms of difficulty, the Elegie is best suited to intermediate and early advanced players. 

6. Waltz in A Minor by Frédéric Chopin

The Waltz in A minor, Op. Posth. by Frédéric Chopin is a beautiful and accessible piece appealing to beginner pianists. 

There are several reasons why this waltz is considered both exquisitely beautiful and approachable for those starting their piano journey.

Firstly, the Waltz in A minor features a melodic, instantly captivating line. The haunting and melancholic melody evokes a sense of elegance and introspection. 

The simplicity and expressiveness of the melody make it easy for the beginner pianist to grasp and convey the emotional depth of the piece.

Secondly, the technical demands of the Waltz in A minor are well-suited for beginner pianists. The piece generally utilizes straightforward hand positions and limited hand stretches, making it comfortable for smaller hands. 

Furthermore, the piece provides an excellent opportunity for beginner pianists to develop their sense of phrasing and musical expression. 

While the technical challenges are relatively modest, the Waltz in A Minor offers room for personal interpretation and dynamics. 

Beginner pianists can experiment with playing softer or louder sections, adding subtle rubato, and exploring different nuances to infuse their performance with their own musicality. The piece also provides an opportunity to practice the art of rubato.

The Waltz in A Minor introduces the charm and elegance of Chopin’s compositions. 

As one of Chopin’s earlier works, it is an accessible entry point into his distinct style and romantic sensibilities. Playing this piece can cultivate an appreciation for Chopin’s music and spark the desire to explore more of his compositions in the future.

Lastly, the Waltz in A minor is relatively short and has a straightforward structure. It provides a sense of accomplishment as the piece is learned and performed. The transparent and predictable form helps build confidence.

Overall, the Waltz in A Minor by Frédéric Chopin is beautiful and accessible for beginner pianists. Its captivating melody, manageable technical demands, opportunities for expressive interpretation, introduction to Chopin’s style, and clear structure make it an ideal choice for those starting their piano journey. 

Learning and performing this piece can inspire and motivate beginners as they explore the enchanting world of classical piano pieces.

7. Gymnopedie No. 1 by Erik Satie

Gymnopédie No. 1 by Erik Satie is part of a series of three piano compositions, the first being the most famous. This piece possesses distinct qualities that make it an ideal choice for those beginning their musical journey.

First and foremost, Gymnopédie exhibits a serene and ethereal beauty. The simplicity of the melody creates a peaceful and introspective atmosphere, inviting the listener into a world of tranquility. 

Another reason the first Gymnopédie is accessible for beginners is the relatively modest technical demands. Satie’s compositions often emphasize simplicity and clarity, allowing novice pianists to focus on developing fundamental skills. 

Additionally, the repetitive nature of the entire piece provides an excellent opportunity for beginner pianists to develop their sense of musicality and expressiveness. 

As the themes are repeated throughout the piece, beginner pianists can experiment with dynamics, articulation, and phrasing to add their personal touch. 

This allows beginners to explore the nuances of interpretation and develop their own musical voice.

The first Gymnopédie also has a relatively slow tempo, which aids beginner pianists’ learning process. The leisurely pace allows more time to think and coordinate finger movements, enhancing accuracy and control. 

It also provides a comfortable space for beginners to focus on expression and musicality without feeling rushed.

The first Gymnopédie by Erik Satie possesses a unique beauty and is a widely recognized piece, making it an enjoyable work for beginner pianists to learn. 

8. Liebestraum No. 3 by Franz Liszt

Liebestraum, meaning “Dream of Love” in German, is a piano composition by Franz Liszt that is regarded as a uniquely beautiful piece in the classical piano repertoire. 

Several elements contribute to its distinctive beauty and make it stand out among other compositions.

One of the defining characteristics of Liebestraum is its lyrical and expressive melody. The piece opens with a mesmerizing and delicate melody that unfolds with elegance and grace. 

The melody flows effortlessly, evoking a sense of longing and tenderness, solidifying its status as a true love song. Its simplicity and profound emotional depth make it instantly captivating and memorable.

Another aspect that sets Liebestraum apart is its rich and intricate harmonic structure. Liszt masterfully weaves complex harmonies, lush chord progressions, and subtle chromaticism to create a tapestry of emotional richness. 

The harmonic choices add depth and sophistication to the composition, further enhancing its beauty and evoking a wide range of emotions in the listener.

The interplay of delicate and virtuosic passages adds to the piece’s allure, providing a thrilling experience for the performer and the audience.

The composition features a wide range of dynamics, from soft and delicate passages to powerful and passionate sections. These contrasts create a sense of tension and release, adding to the piece’s emotional impact. 

Lastly, Liebestraum is renowned for its captivating and evocative storytelling quality. The composition takes the listener on a journey of love and passion, weaving a narrative through its melodic development and harmonic progression. 

It creates an immersive and dream-like atmosphere, transporting the listener to a world of heightened emotions and romantic reverie.

In conclusion, Liebestraum by Franz Liszt is a uniquely beautiful piano composition due to its lyrical and expressive melody, rich harmonic structure, virtuosic pianistic writing, dynamic contrasts, and captivating storytelling quality. Its enduring popularity and status as a beloved piece in the piano repertoire are a testament to its timeless beauty and Liszt’s remarkable ability to create music that touches the heart and soul.

This piece is suitable for the intermediate pianist.

Final Thoughts

I hope you’ve enjoyed this journey through the 8 most beautiful classical piano pieces ever composed! The classical piano repertoire has so many wonderful pieces that it was tough to limit the list to only a few of the most famous pieces.

And whether you’re an avid listener or an aspiring pianist, I hope you find inspiration somewhere in this list. After all, one of the most exciting things about playing the piano is picking out new pieces to add to your repertoire!

If you’re looking for more piano-inspired content, check out a few of my other posts:

Piano

13 Easy Classical Piano Pieces for Adult Beginners

by amandakaybradley3 Comments on 13 Easy Classical Piano Pieces for Adult Beginners
13 Easy Classical Piano Pieces for Adult Beginners

Classical piano music has an enduring appeal for all ages and levels of experience.

Whether you are a beginner or an experienced pianist, there is something to be enjoyed in the vast repertoire of classical pieces ranging from the Baroque to Romantic periods.

For adult beginners who want to explore more of this genre, here is a list of 13 easy classical piano pieces that will bring satisfaction and joy as you learn them.

From Bach’s Menuet in G Major BWV114, Beethoven’s Für Elise, Mozart’s Piano Sonata in C Major K545, Chopin’s Waltz in A Minor, and Debussy’s Arabesque No. 1 – these beloved compositions by some of the greatest composers ever have stood the test of time and remain popular favorites today!

And if you want to learn these easy classical piano songs but don’t have a piano teacher, stay tuned because I have a fantastic resource to help even beginner pianists studying on their own master these songs.

Ready? Let’s get to it!

This post may contain affiliate links. As affiliates of the Amazon associate program, Modacity, Dr. Josh Wright ProPractice, Musicnotes, Playground Sessions, and Piano Marvel, I may receive a commission at no extra cost if you purchase through a link. Please see my full disclosure for further information and privacy policy. I take no credit for the images appearing on this page. All photos are courtesy of Canva.

Menuet in G Major BWV114 – Notebook for Anna Magdalena Bach

The Menuet in G Major BWV114 from the Notebook for Anna Magdalena Bach is a delightful classical piano piece.

Thanks to its inclusion in the Notebook, it was attributed to J. S. Bach until the 1970s when it was established that the piece was actually composed by Christian Petzold.

Petzold was a famous composer, church organist, and teacher of his day.

Unfortunately, only a few of his works have survived the centuries since his death in 1733.

In the first part of the piece, the right hand carries the melody. The trickiest part is navigating the occasional ornaments in the right hand.

The left hand has a fairly basic accompaniment consisting of mostly quarter and dotted half notes.

There are a few eighth notes in the left hand of the first section but none in the second section.

The moderate tempo makes this a very attainable piece for adult beginners.

Menuet in G Minor BWV115 – Notebook for Anna Magdalena Bach

The Menuet in G Minor BWV155 is another relatively short piece written by Christian Petzold.

Thanks to the minor key signature, watch out for the accidentals sprinkled throughout.

Like the G Major Menuet, the first section also contains several ornaments in the right hand. And the melody is comprised of quarter and eighth notes.

The second section is similar to the first, aside from a few measures of E natural rather than E flat.

Watch out for the accidentals throughout the second section, as there are several.

Once you master the notes, this piece offers a beautiful melody and technical challenges appropriate for most adult beginners.

Prelude in C Major – Johann Sebastian Bach

The Prelude in C Major is the first piece in the first book of The Well-Tempered Clavier, written by J.S. Bach.

Although it looks complicated at first glance, the piece is a series of broken chords. Once you master the patterns, it’s an attainable piece for beginning piano students.

And if you struggle with getting hands together, this is an excellent piece to try because the left-hand accompaniment is minimal and follows a very specific pattern throughout.

You do have to watch for a few accidentals scattered throughout the piece. Still, for the most part, C major is an easier key signature for more beginning students.

Overall, this is a fun piece to play that, once mastered, will give you a tremendous feeling of accomplishment!

Piano Sonata in C Major, K545 – Wolfgang Amadeus Mozart

Composed in the late 1780s, the Piano Sonata in C Major is often considered appropriate for beginning piano students.

The entire piece consists of 3 movements, with the first, Allegro, being the most familiar.

As is characteristic of Mozart compositions, the Allegro movement has a very happy and upbeat sound.

It is slightly trickier than the other pieces listed thus far on the list, thanks to the eighth note accompaniment in the left hand.

There are trills to navigate in the right hand and sixteenth-note runs which increase the difficulty factor of this sonata.

Although this piece is slightly longer than other pieces listed, it has much to offer the learner in terms of rhythm, dynamic contrasts, and phrasing.

Due to the technical challenges, this is a great one to learn with a teacher while taking piano lessons.

Moonlight Sonata – Ludwig van Beethoven

The first movement of the Moonlight Sonata is an iconic piece composed in 1801.

Although the entire sonata has 3 movements, it’s the first that is the most popular.

The second movement is also attainable for a late beginner or early intermediate pianist; however, the third is technically challenging and should be reserved for the advanced pianist.

One of the challenges of the first movement lies in bringing out the melody despite nearly constant triplets in the right hand.

Another challenge of this piece is the dynamic contrast, leaning most toward the pianissimo side.

Phrasing and bringing out the mood of the piece are additional learning opportunities for the first movement of this famous sonata.

Overall, this beautiful piece is fun to learn and will be recognized by your friends and family. It’s an excellent piece for new pianists interested in classical music.

Fur Elise – Ludwig van Beethoven

The Bagatelle in A Minor, also known by its more popular name, Fur Elise, is one of Beethoven’s most recognizable pieces for piano.

Although published after his death, the piece has since risen to fame. It continues to be regularly performed by pianists everywhere.

The piece has a rondo form, with the main theme returning at several points throughout.

And as it is in a minor key, you can expect a smattering of accidentals to keep you on your toes.

The piece does clip along at a fair pace and contains an abundance of sixteenth notes.

The pedaling can also get a bit muddy if you’re not careful.

Despite the performance challenges, this remains an excellent piece for people just stepping into the world of classical piano!

Waltz in B Minor, Op. 18 No. 6 – Franz Schubert

Franz Schubert is known for beautiful melodic lines, and this waltz composed in the early 1800s is no exception.

Careful attention to legato and the stray accidental yields a melancholy and striking melody.

The left hand has a reasonably predictable accompaniment pattern typical of waltzes. With some practice, even someone new to the piano can master the jumps in the pattern.

The second section has a few dynamic shifts, which create a sense of mystery and beauty.

Given all the unique compositional elements, this is a gorgeous piece attainable by beginner pianists.

Waltz in A Minor – Frederic Chopin

The Waltz in A Minor is one of Chopin’s most approachable pieces for beginning pianists.

Like the menuets above, the piece was attributed to an alternate composer for almost a century until it was finally established as Chopin’s in 1955.

As is characteristic of Chopin’s compositional style, the Waltz has a highly emotional feel. Given its key signature, melancholy dominates the piece aside from a brief foray into A Major, suggesting a carefree, happy attitude.

One of the more challenging aspects of the piece is expression of the overall mood. There are ornaments scattered throughout the work, which add trickiness.

Aside from the above, the Waltz in A Minor is an excellent piece for new pianists interested in playing the music of the Romantic period.

Of Foreign Lands and Peoples from Kinderszenen, Op. 15 – Robert Schumann

Composed in 1838, Of Foreign Lands and Peoples is one of 13 pieces in the more extensive work called ‘Scenes from Childhood.’

The main challenge of this piece is bringing out the melody in the midst of a busy accompaniment.

Written in 2/4 time, this piece is driven by eighth notes. It’s a beautiful piece, perfect for beginning pianists.

If you’re interested in a tutorial on this piece, check out Dr. Josh Wright’s YouTube video.

The Sick Doll, Op. 39 – Pyotr Ilyich Tchaikovsky

Like the previous piece, The Sick Doll is part of a more extensive collection of short works.

This piece also shares the same time signature as Of Foreign Lands and Peoples.

The Sick Doll has a slow tempo and fewer notes than the other pieces highlighted in this post. There are a few accidentals to navigate and subtle dynamic contrasts, which add an air of the dramatic.

Thanks to these small details, it’s one of the most attainable pieces for any piano player.

To a Wild Rose, Op. 51 – MacDowell

MacDowell is the first and only American composer to make this list of easy classical piano pieces for adult beginners.

The piece was composed just before the turn of the 20th century and evokes within the listener a scene of serene calm.

To a Wild Rose shares the same time signature as the previous two pieces. And the key signature is A, meaning there are 3 sharps with which to contend.

But the tempo is relatively slow, and the rhythms predictable, so once you master the pattern, the piece falls right into place.

Dr. Josh Wright, renowned classical pianist, and teacher, also has an instructional video on this piece that you can find by clicking here.

Gymnopedie No. 1 – Erik Satie

Satie was a French composer who wrote this piece just before the turn of the 20th century.

There are 3 pieces included as part of the larger set, and the inspiration for the piece remains controversial.

The challenge of this piece is not so much the notes themselves but in portraying a specific scene.

Gymnopedie is a very legato piece and requires attention to pedaling to achieve the perfect balance between ideal and overpedaling.

This is a beautiful, calm piece, attainable for beginning pianists and impressive when performed well.

Arabesque No. 1 – Claude Debussy

Debussy is one of the most famous composers of the Impressionist period.

Although similar in compositional style, the Arabesque is more challenging than Gymnopedie, thanks to the quicker tempo and triplet rhythms sprinkled throughout.

There are a few rhythmically tricky sections where you must navigate triplets in one hand and eighth notes in the other.

I prefer this piece to Satie’s, although it is more challenging. The Arabesque has elements of both the Impressionist and Romantic periods of music that make it an exciting and charming piece.

When performed well, it is a gorgeous piece and fun to play!

Frequently Asked Questions

Can you learn to play piano without a teacher?

Yes. But depending on your goals and the type of music you want to learn, it may be helpful to have a piano teacher.

Check out my recent post, Can You Really Learn Piano Without a Teacher, for all the details on whether this is the best option for you and your goals.

Are there good online resources for learning to play the piano?

Absolutely. If you’re brand new to the piano and would love to learn pop songs, check out Playground Sessions.

Playground Sessions introduces you to the concepts of playing along with the band right from the start. And it’s designed for people who have never touched a keyboard, so no experience is required!

You can find my Playground Sessions review here.

There are a few other apps and programs; however, Playground Sessions is the only one I’ve used and can wholeheartedly recommend.

What is the best resource for learning classical music as a beginner?

If you know that classical is your jam, you must check out Dr. Josh Wright. He has an active YouTube channel where he regularly posts piano tutorials.

He also has a program called ProPractice, which consists of video tutorials for most of the pieces listed above.

The full version of ProPractice contains video lessons for people who have never touched a piano before up through tutorials for advanced classical repertoire by Rachmaninoff and Franz Liszt.

You can also purchase tutorial videos for individual songs, including most listed above. Most of the individual lesson videos are less than $20 and well worth the investment.

I’ve been a member of ProPractice for several years now. I have seen my piano skills improve thanks tremendously to this course!

If you want to learn more, click the link or read my ProPractice review post.

Final Thoughts

Playing the piano is rewarding and can be a great way to relax!

Whether you’re just starting out or have been playing for a little while, there are tons of resources available online to help you learn.

And it always helps to learn music that you love. Hopefully, the pieces above have given you some inspiration on where to start.

If you’re looking for more piano-inspired posts, check out my other helpful content below!

It may take some time and practice to master a new piece. Still, with dedication and an enjoyable learning experience, you’ll make beautiful music in no time!

Good luck!

If you loved this post, check out:

Resources

Christian Petzold (composer) – Wikipedia

Minuets in G major and G minor – Wikipedia

Waltz in A minor (Chopin) – Wikipedia

Kinderszenen – Wikipedia